| Title | Artist | Description | |
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Admiral Richard Cletherse (fl. 1406) |
Wax seal |
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Alexander Pope (1688-1744), ca. 1742 |
Jean-Baptiste van
Loo (1684-1745) |
Oil on canvas |
|
| Anne Damer and Mary Berry in the Library at Little Strawberry Hill | Richard Cosway (1740-1821) | Pencil | |
|
Basin and Ewer |
Porcelain, China |
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Beauclerk Cabinet, 1784 |
Edward Edwards (1738-1806) |
Ebony |
|
|
Beggar's Opera, Act III, SCene IX, 1728 |
William Hogarth (1697-1764) |
Oil on canvas |
|
| Bucolica, Georgica, et Aeneis | Virgil (Publius Vergilius Maro ) (70-19 B.C.) | Birmingham, J. Baskerville, 1766 | |
|
Cabinet of Miniatures and Enamels, ca. 1788 |
?John Carter (1748-1817) |
Watercolor |
|
|
Conversation |
Horace Walpole (1717-1797) After Watteau |
||
| Design for the Library, ca. 1753 | John Chute (1701-1776) | Pencil and pen and ink | |
|
Dorothy Clement (ca. 1715-ca. 1739), 1736 |
Oil on canvas |
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|
Dr. Antonio Cocchi, ca. 1755 |
After Joseph Wilton (1722-1803) |
Bronze |
|
| Drawing for the Frontispiece to Il Castello Di Otranto, ca. 1795 | Joinol | Pen and ink with grey wash | |
|
Drawing for Horace Walpole's The Mysterious Mother, 1776 Act IV, Scene 1 |
Lady Diana Beauclerk
(1734-1808) |
Soot-water |
|
|
Drawing for Horace Walpole's The Mysterious Mother, 1776 Act II, Scene 2 |
Lady Diana Beauclerk (1734-1808) |
Soot-water |
|
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Drawing for Horace Walpole's The Mysterious Mother, 1776 Act II, Scene 3 |
Lady Diana Beauclerk (1734-1808) |
Soot-water |
|
|
Drawing for Horace Walpole's The Mysterious Mother, 1776 Act III, Scene 3 |
Lady Diana Beauclerk (1734-1808) |
Soot-water |
|
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Drawing for Horace Walpole's The Mysterious Mother, 1776 Act IV, Scene 4 |
Lady Diana Beauclerk (1734-1808) |
Soot-water |
|
|
Drawing for Horace Walpole's The Mysterious Mother, 1776 Act V, Scene 6 |
Lady Diana Beauclerk
(1734-1808) |
Soot-water |
|
|
Englishman at Paris. 1767, 1782 |
Henry William Bunbury (1750-1811) |
Hand-colored etching |
|
|
First Design for the gallery & round tower at Strawberry-hill, 1759 |
John Chute (1701-1776) |
Pen and ink |
|
| Frontispiece to Il Castello Di Otranto, ca. 1795 | Thomas Medland (d. 1833) after Joinol | Stipple engraving | |
|
Galfridus Mann (1706-1756), 1752 |
John Astley (ca. 1730-1787) |
Oil on canvas |
|
|
Gate at Fondi on the Road to Naples, ca. 1791 |
Agnes Berry (1764-1852) |
Watercolor and pencil |
|
|
Gate of Calais, or the Roast Beef of Old England, 1748 |
William Hogarth (1697-1764) |
Etching and engraving |
|
|
Golden Asses, 1761 |
Thomas Patch (1708-1782) |
Oil on canvas |
|
|
Gothic Chair, 1754 |
William Hallett (1707-1781 |
Ebonized beechwood |
|
|
Gothic Lantern
from Strawberry Hill, 1755 |
William Hallett (1707-1781) after the design by Richard Bentley (1708-1782) |
Stained glass and Japanned tin |
|
|
Head of an Undergraduate |
George Vertue (1684-1756) |
Pen and ink |
|
|
Henry Seymour Conway (1719-1795), ca. 1766 |
Ranelagh Barrett (fl.
1737-1768) after Thomas Gainsborough (1727-1788) or Joshua Reynolds (1723-1792) |
Oil on canvas |
|
| Horace Walpole in his Library | George Perfect Harding (d. 1853) after Johann Heinrich Müntz (1727-1798) | Ink and wash | |
|
Horace Walpole (1717-1797), ca. 1727 |
?Bernard Lens (1682-1740) |
Pastel |
|
|
Horace Walpole Youngest Son of Sr. Robt. Walpole Earl of Orford, 1757 |
James McArdell (1728-1765) |
Mezzotint |
|
|
Horace Walpole, Fourth Earl of Orford (1717-1797), ca. 1759 |
Allan Ramsay (1713-1784) |
Oil on canvas |
|
|
Horace Walpole, Lord Orford, ca. 1793 |
William Daniell (1769-1837) |
Pencil |
|
|
Horace Walpole's Favorite Cat, ca. 1776 |
Stephen Elmer (d. 1796) |
Oil on canvas |
|
|
King-Fisher and Ducks |
Robert Hancock (1731-1817) |
Oil on battersea enamel |
|
|
Kitchen of a French Post House, 1771 |
After Henry William
Bunbury (1750-1811) |
Hand-colored engraving |
|
|
La Cuisine de la Poste, 1770 |
DeHenry William Bunbury (1750-1811) |
Watercolor scription |
|
|
Ladies Waldegrave, 1781 |
Valentine Green (1739-1813) |
Mezzotint, proof before letters |
|
|
Lady Mary (Walpole)
Churchill (ca. 1725-180l) |
Christian Friederich Zincke (1685-1767) |
Oil on enamel |
|
|
Lady Mary Churchill
(ca. 1725-1801), ca. 1752 |
John Giles Eccardt
(d. 1779) |
Oil on canvas |
|
|
Le Débarquement
du Chevalier John Bull et de sa Famille a Boulogne sur Mer. |
James Gillray (1756-1815) |
Hand-colored aquatint |
|
| Library at Strawberry Hill, 1788 | Edward Edwards (1738-1806) | Watercolor | |
|
Lt. Col. Edward Walpole (1737-1771) |
Watercolor |
||
|
Madame Du Deffand's Snuff Box with Tonton's Portrait, ca. 1777 |
Louis Roucel (d. 1787)
snuff box |
Vermeil over brass with the portrait in wax |
|
|
Maria Walpole (1736-1807) when the Countess Waldegrave |
Watercolor |
||
|
Maria Walpole (1736-1807) when the Duchess of Gloucester |
Watercolor |
||
|
Mary Berry, ca. 1788 |
Watercolor over pencil |
||
|
Mary Berry's Parasol, ca. 19th century |
Silk, lace and ebony with tortoiseshell figural handle |
||
|
Morning in Covent Garden, 1745 |
Balthasar Nebot (d. ca. 1786) |
Oil on canvas |
|
|
Music Lesson |
Horace Walpole (1717-1797) After Watteau |
||
|
Nine Jettons and Plates of James I and his Family |
Simom Van Den Pass
(?1595-1647) |
Silver |
|
|
North and West Fronts of Strawberry Hill, ca. 1778 |
William Marlow (1740-1813) |
Watercolor |
|
|
North Front of Strawberry Hill, 1783 |
Edward Edwards (1738-1806) |
Watercolor |
|
|
Odes |
Thomas Gray (1716-1771) |
Strawberry Hill Press, 1757 |
|
|
Paris Dil-gence, 1810 |
Thomas Rowlandson (1756-1827) |
Hand-colored etching |
|
| Partis exterioris Chori, ab Occidente prospectus | Wenceslaus Hollar (1607-1677) | Engraving | |
|
Passion of Jesus, ca. 16th century |
Leaded stained glass panel, Netherlands |
||
|
Placement of the Paintings in the Gallery |
Thomas Kirgate (1734-1810) |
Pen and ink In: |
|
|
Prince Rupert of Germany (1619-1682) |
Oil on copper |
||
|
Princess Sophia Matilda of Gloucester (1773-1844) |
Oil on enamel |
||
|
Richard III,
1731 |
John Faber, Jr. (1684-1756) |
Mezzotint |
|
|
River God, ca. 16th century |
Leaded stained glass panel, Netherlands |
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|
Robert Walpole, first Earl of Orford (1676-1745), 1774 |
Josiah Wedgwood (1730-1795) |
Blue jasper dip medallions |
|
|
Rules for Admission
to Strawberry Hill |
Horace Walpole (1717-1797) |
Strawberry Hill Press, 1774 |
|
|
Rural Ball, 1738 |
Horace Walpole (1717-1797) |
Watercolor |
|
|
Self-portrait |
Jean Etienne Liotard (1702-1789) |
Watercolor on ivory |
|
|
Sestertius of Emperor Decimus Caelius Balbinus, ca. 238
|
Bronze coin |
||
|
Sir Edward Walpole (1706-1784) |
Watercolor |
||
|
Sir Edward Walpole (1706-1784), ca. 1780 |
Edward Edwards (1738-1806) |
Oil on canvas |
|
|
Sir Horace Mann (1706-1784), 1752 |
John Astley (ca. 1730-1787) |
Oil on canvas |
|
|
Sir Robert Walpole (1676-1745) |
Lorenz Natter (1705-1763) |
Bronze |
|
|
Sir William Hamilton, 1787 |
Henry Hudson (fl.
1782-1793) |
Mezzotint |
|
| South View Of The Castle Of Otranto. ca, 1785 | After Willey Reveley (1760-1799) | Watercolor | |
|
Strawberry Hill, Twickenham, from the South, ca. 1755-59 |
Johann Heinrich Müntz (1717-1798) |
Oil on canvas |
|
|
Thames near Marble Hill, ca. 1762 |
Richard Wilson (1714-1782) |
Oil on canvas |
|
|
Thomas Gray (1716-1771) |
Benjamin Wilson (1721-1788) |
Oil on canvas |
|
|
Three drawings |
Horace Walpole (1717-1797) |
Pen and ink |
|
|
Tribune, 1774 |
Edward Edwards (1738-1806) |
Watercolor |
|
|
Twickenham Church from Pope's Garden, ca. 1721 |
Alexander Pope (1688-1744) |
Pencil |
|
|
Two Fashion Dolls, Male and Female, ca. 1770 |
China, silk, leather, lace and beads |
||
|
Two Sèvres Cups and Saucers, ca. 1765-1775 |
Porcelain, France |
||
|
Vase of Flowers, ca. 16th century |
Leaded stained glass panel, Netherlands |
||
|
Vaux-Hall, 1785 |
Thomas Rowlandson (1756-1827) |
Hand-colored aquatint |
|
| View of One End of the Great Room Designed by Inigo Jones | George Vertue (1684-1756) | Pen and wash | |
|
View from the Hall at Strawberry Hill, 1788 |
John Carter (1748-1817) |
Watercolor |
|
|
View of Pope's House at Twickenham, ca. 1759-72 |
Samuel Scott (1702-1772) |
Oil on canvas |
|
|
View of Strawberry Hill from the East, ca. 1783 |
Paul Sandby (1725-1809) |
Watercolor |
|
|
View of Strawberry Hill from the South, ca. 1783 |
Paul Sandby (1725-1809) |
Watercolor |
|
|
View of the Hospital & Piazza of St. Mary at Florence, 1752 |
Nathaniel Parr (fl.
1742-1751) |
Hand-colored etching and engraving |
|
|
View of the Seat of Belvedere in Vaticano Near Rome, 1750 |
Thomas Bowles (d.
1767) |
Etching and engraving |
|
|
View of the Thames from the Terrace of Somerset House, ca. 1746 |
Antonio Joli (ca.
1700-1777) |
Oil on canvas |
|
|
Walpole Arms, ca. 1761-62 |
William Peckitt of York (1731-1795) |
Leaded stained glass pendant |
|
|
Wilmarth Sheldon Lewis (1895-1979), 1977 |
Margret Joy Flinsch
Buba (1904-1998) |
Bronze on a black marble base |
|
|
Yorick at Dover, Going to Embark for Calais, 1775 |
After Samuel Hieronymous Grimm (1734-1806) |
Etching and engraving |