* indicates connection to Horace
Walpole
Manuscript Materials
*Sir David Dalrymple to Horace Walpole, 13 February 1764,
Edinburgh (Scotland).
*Sir David Dalrymple to Horace Walpole, 9 February 1764,
Edinburgh (Scotland).
*James Granger to Horace Walpole, 24 July 1764, Shiplake
(England).
*James Granger to Horace Walpole, 11 February 1768, Shiplake
(England).
*Walter Robertson to Horace Walpole, 18 February 1764, Lynn
R. [i.e., King's Lynn, England].
*[Unknown] to Horace Walpole, 25 July 1765, Conduit Street,
[London, England].
Printed Materials
Livre des Routes d'Italie à l'usage des Seigneurs qui Voyagent
par la Poste : où l'on Trouve la Description des Villes,
Bourgs, Villages, & Rivières, & l'Explication des
Vues à Quelques Milles de la Route sur la Droite & sur
la Gauche en Vingt-trois Cartes Gèographiques avec une Note
Exacte des Postes, du Prix des Chevaux, & de Toutes les
Meilleures Auberges Tant dans les Villes que sur la Route
avec Leur Juste Prix & Beaucoup d'Autres Choses Nécessaires & Utiles.
France?: ca. 1780
Gemmett, Robert J., ed. The Consummate Collector: William
Beckford’s Letters to His Bookseller. Norwich: Michael
Russell, 2000.
Waterfield, Giles, Anne French, with Matthew Craske. Below
Stairs: 400 Years of Servants’ Portraits. London: National
Portrait Gallery, 2003.
Giroud, Vincent. St. Petersburg: A Portrait of a Great
City. New Haven: Beinecke Rare Book & Manuscript
Library, Yale University, 2003.
Grasselli, Margaret Morgan. Colorful Impressions: The
printmaking Revolution in Eighteenth- Century France. Washington: National
Gallery of Art, 2003.
Paulson, Ronald. Hogarth’s Harlot: SacredParody in
Enlightenment England. Baltimore, Md.: Johns Hopkins
University Press, 2003.
Thomas, Robin, Peter Dorrell and Henry Lie. Introduction
to Object Identification: Guidelines for Making Records
that Describe Art, Antiques and Antiquities. Los Angeles: Getty
Center for Education in the Arts, 2000.
Kennedy, Deborah. “The Ruined Abbey in the Eighteenth Century,” Philological
Quarterly 80.4 (2001):
Rivers, Isabel, ed. Books and Their Readers in Eighteenth-Century
England. London ; New York: Leicester University Press,
2001.
Minkema, Kenneth P. and George G. Levesque. Jonathan
Edwards Tercentennial Exhibition: Selected Objects from
the Yale Collection. New Haven: 2003.
Fox, Michael J. Introduction to Archival Organization
and Description. Los Angeles: Getty Information Institute,
1998.
Barchas, Janine. Graphic Design, Print Culture and the
Eighteenth-Century Novel. Cambridge, U.K., and New
York: Cambridge University Press, 2003.
University of Chicago Press. Chicago Manual of Style. Chicago: University
of Chicago Press, 2003.
Gemmett, Robert J. Beckford’s Fonthill: The Rise of
a Romantic Icon. Norwich: Michael Russell, 2003.
McCreery, Cindy. The Satirical Gaze: Prints of Women
in Late Eighteenth-Century England. Oxford: Oxford
University Press, 2004.
Lopez, Claude-Anne. My Life with Benjamin Franklin. New
Haven: Yale University Press, 2000.
Kertzer, David I. and Marzio Barbagli, eds. Family Life
in Early Modern Times, 1500-1789. New Haven: Yale
University Press, 2001.
Black, Jeremy. Italy and the Grand Tour. New Haven:
Yale University Press, 2003.
Puttfarken, Thomas, The Discovery of Pictorial Composition: Theories
of Visual Order in Painting 1400-1800. New Haven: Yale
University Press, 2003.
Schmeichen, James, and Kenneth Carls. The British Market
Hall: a Social and Architectural History. New Haven:
Yale University Press, 1999.
Morris, Marilyn. The British Monarchy and the French
Revolution. New Haven: Yale University Press, 1998.
Salmond, Anne. The Trial of the Cannibal Dog: The Remarkable
Story of Captain Cook’s Encounters in the South Seas. New
Haven: Yale University Press, 2003.
McClain, Molly. Beaufort: The Duke and his Duchess 1657-1715. New
Haven: Yale University Press, 2000.
Marsden, George M. Jonathan Edwards: a Life. New
Haven: Yale University Press, 2003.
Gregg, Edward. Queen Anne. New Haven: Yale University
Press, 2001.
Wilson, Lisa. Ye Heart of a Man: The Domestic Life of
Men in Colonial New England. New Haven: Yale University
Press, 1999.
Kamen, Henry. Philip of Spain. New Haven: Yale
University Press, 1997.
Rose, Jonathan. The Intellectual Life of the British
Working Classes. New Haven: Yale University Press,
2001.
Barnard, Toby. A New Anatomy of Ireland: The Irish Protestants,
1649-1770. New Haven: Yale University Press, 2003.
Williams, Glyn. Voyages of Delusion: The Quest for
the Northwest Passage. New Haven: Yale University
Press, 2002.
Buel, Richard, Jr. In Irons: Britain’s Naval Supremacy
and the American Revolutionary Economy. New Haven: Yale
University Press, 1998.
Bindman, David and Scott Wilcox. Among the Whores and
Thieves. New Haven: Yale Center for British Art, 1997.
* Catalogue of the Late Lord Northwick's Extensive and
Magnificent Collection of Ancient and Modern Pictures,
Cabinet of Miniatures and Enamels, and Other Choice Works
of Art, and the Furniture, Plate, Wines and Effects, at
Thirlestane House, Cheltenham, Which Will be Sold by Auction
by Mr. Phillips ... on Tuesday the 26th of July, 1859,
and Twenty-one Subsequent Days …. London: J.
Davy, 1859.
* Catalogue of the Magnificent Collection of Works of
Art and Vertu Formed by Mr. David Falcke ... Which Will
be Sold at Auction by Messrs. Christie and Manson ... on
Monday, April 19, 1858. London: 1858.
Catherine II, Empress of Russia (and Gunnar von Proschwitz,
ed.) Catherine II et Gustave III : une Correspondance
Retrouvée. Stockholm : Nationalmuseum, 1998.
Hunt, Tamara L. Defining John Bull : Political Caricature
and National Identity in Late Georgian England. Aldershot,
Hampshire, England; Burlington: Ashgate, 2003.
Houfe, Simon. Dictionary of 19th
Century British Book Illustrators and Caricaturists. Woodbridge,
Suffolk: Antique Collectors’ Club, 1996
DeBolla, Peter. The Education
of the Eye: Painting, Landscape, and Architecture in Eighteenth-century
Britain. Stanford, Calif. : Stanford University Press,
2003.
Milhous, Judy. “Gravelot & Laguerre: Playing Hob on
the Eighteenth-century English Stage.” Theatre Survey. 43:2
(2002):
Crompton, Louis. Homosexuality and Civilization. Cambridge,
MA : Belknap Press of Harvard University Press, 2003.
Brown, Harold Clifford Jr. “Horace
Walpole as Historiographer and Antiquary : a Study of Enlightenment
and Anti-Medievalism” Ph.D. diss., University of Virginia,
1970.
Ingamells, John. Mrs. Robinson and her Portraits. London:
Trustees of the Wallace Collection, 1978.
Stansky, Peter. Sassoon: the Worlds of Philip and Sybil.
New Haven: Yale University Press, 2003.
The Shandean. 13 (2002)
Theatre Notebook. 57:1 (2003)
Carter, John. ABC for Book Collectors. New Castle,
Del. : Oak Knoll Press, 1994.
Age of Johnson. 14 (2003)
Shattuck, Joanne, ed. Cambridge Bibliography of English
Literature. Cambridge, U.K.; New York: Cambridge University
Press, 1999.
Hogle, Jerrold E. Cambridge Companion to Gothic Fiction.
Cambridge, UK; New York: Cambridge University Press, 2002.
Bénézit, E. Dictionnaire critique et documentaire des
peintres, sculpteurs, dessinateurs et graveurs de tous
les temps et de tous les pays par un groupe d'écrivains
spécialistes francais et étrangers. Paris: Gründ,
1999.
Lasch, Christopher (and Stewart Weaver, ed.) Plain
Style: a guide to written English. Philadelphia : University
of Pennsylvania Press, 2002.
Churchill, W.A. Watermarks in paper in Holland, England,
France, etc. in the XVII and XVIII Centuries and Their
Interconnection. Nieuwkoop: De Graaf. 1990.
Heawood, Edward. Watermarks mainly of the 17th and
18th centuries. Culver City: Krown & Spellman,
1969
Gardiner, Richard. A Letter to Thomas William Coke,
Esq. of Holkham : Wherein a Full Answer is Given to his
Advertisement Published in the Norfolk Chronicle and Norwich
Mercury, May 2, 1778. London: Printed and sold by
M. Folingsby ..., 1778
Champigny, Jean Bochart, chevalier de. Nouvelle histoire
générale d'Angleterre, depuis l'origine la plus reculée
de ce royaume, jusqu'a l'année MDCCLXXX : Ornée des portraits
en taille-douce de tous les rois d'Angleterre, et de toutes
les personnes qui dans le cours de cette histoire ont fait
parler d'elles, par le colonel chevalier de Champigny,
1777. Amsterdam: 1777.
La Fortelle, M. de.
La Vie Militaire, Politique et
Privée de Demoiselle Charles-Geneviéve-Louise-Auguste-Andrée-Thimothée
Eon ou d'Eon de Beaumont. Paris: 1779.
Cary, John. Cary's New Guide
for Ascertaining Hackney Coach Fares and Porterage Rate
: Being an Actual and Minute Admeasurement of Every Street
Which is a Carriage Way Throughout the Metropolis; Showing
Not Only the Whole Length of Each Street, but also the
Distance Between Each Coach Turning Leading out of the
Same, and Thereby Affording the Means of Ascertaining,
with the Greatest Precision, the Length of any Route, However
Indirect, Throughout the Whole of the Survey; Which, for
Further Accomodation, is Extended to Hampstead ... &c. &c.
to Which are also Added, Abstracts of the Hackney Coach
and Porterage Acts; a Copious Index, Containing the Whole
of the Streets Described, Their Relative Situations, Lengths,
and Reference to the Pages Where Each May be Found; List
of Coach Stands; and Ruled Leaves for Minuting Distances. London
: Printed for J. Cary, 1801.
Punter, David, ed. A Companion to the Gothic. Oxford,
UK; Malden, Mass.: Blackwell Publishers, 2001.
Hall, James. Dictionary of Subjects & Symbols in
Art. New York: Harper & Row, 1979.
Vickery, Amanda. The Gentleman’s Daughter: Women’s Lives
in Georgian England. New Haven: Yale University Press,
1998.
Nussbaum, Felicity, ed. The
Global Eighteenth Century. Baltimore: Johns Hopkins
University Press, 2003.
Woodcock, Thomas and John Martin
Robinson. Heraldry in Historic Houses of Great Britain. London:
National Trust, 2000.
Bindman, David, Frédéric Ogée,
and Peter Wagner, eds. Hogarth: Representing Nature’s
Machines, Manchester : Manchester University Press, 2001.
Shesgreen, Sean. Images of the Outcast: The Urban Poor
in the Cries of London. New Brunswick, N.J.: Rutgers
University Press, 2002.
A Lecture on Wigs Illustrated
by a Man Who Does Not Wear One: Addressed to All the Wig
Wearers and Wig Makers in the United Kingdom. London:
Gold and Walton, 1818.
Berg, Maxine and Elizabeth Eger,
eds. Luxury in the Eighteenth Century: Debates, Desires
and Delectable Goods. Houndmills, Hampshire; New York:
Palgrave, 2003.
Pohl, Nicole and Betty A. Schellenberg, eds. Reconsidering
the Bluestockings. San Marino: Huntington Library,
2003.
Wanko, Cheryl. Roles of Authority:
Thespian Biography and Celebrity in Eighteenth-Century
Britain. Lubbock: Texas Tech University Press, 2003.
Temple, Kathryn. Scandal Nation: Law and Authorship in
Britain, 1750-1832. Ithaca: Cornell University Press, 2003.
Great Britain. Parliament (1742). House of Lords. Die Martis, 25° Maii
1742 : Hodie, Secunda Vice, Lecta est Billa, Intituled,
An Act for Indemnifying Such Persons, as Shall, upon Examination,
Make Discoveries, Touching the Disposition of Publick Money,
or Concerning the Disposition of Offices, or Any Payments
or Agreements in Respect Thereof, or Concerning Other Matters
Relating to the Conduct of Robert Earl of Orford. London:
1742.
Swift, Jonathan (and David Woolley, ed.) Correspondence
of Jonathan Swift, D.D., Frankfurt am Main; New York:
Peter Lang, 1999.
Rutter, John. Delineations of Fonthill and its Abbey. Llanvapley:
reprinted for Richd Sidwell at Monmouth House, 2000.
Ayres, James. Domestic Interiors: The British Tradition,
1500-1850. New Haven: Yale University Press, 2003.
Price, Nicholas Stanley, M. Kirby Talley, Jr., and Alessandra
Melucco Vaccaro, eds. Historical and Philosophical Issues
in the Conservation of Cultural Heritage. Los Angeles:
Getty Conservation Institute, 1996.
Chastang, Yannick. Paintings in Wood: French Marquetry
Furniture. London: Wallace Collection, 2001.
Graphic Materials
Unknown artist. [Portrait of the Eldest Miss Gunning,
Mary Gunning]. Mid-eighteenth-century.
Mezzotint.
Unknown artist. George and England Save. November
4, 1805.
Etching with hand coloring.
Unknown artist. Decoration du Feu d’Artifice tire à Londres. 1763.
Etching
with hand coloring.
J. Watson, after C. Read. Countess
of Suffolk. ca.1766.
Mezzotint.
Thomas Rolwandson. Nap in the Country, Nap in Town.
1785. Copper plate.
James Gillray. Plumb Pudding in Danger or State Epicures
Taking un Petit Souper.
February 26, 1805. Etching
with original hand coloring.
Humphreys. Sausage Woman, or a Scene in Covent Garden. January
1, 1772.
Mezzotint with original hand coloring.
Attributed to Henry Wigstead. [Caricature of a Jewish
Merchant]. ca.1790. Watercolor.
*Unknown Artist. [The Strawberry Hill Sale]. mid-nineteenth-century. Pen
and ink and wash.
Thomas Rowlandson, after George M. Woodward. The Sailor
and the Field Preacher. July 25, 1805.
Etching with
hand coloring.
Michel Benedetti, after Anton Hickel. The Night Beauty. January
2, 1793.
Stipple engraving colored à la poupée.
George M. Woodward. The Danger of a Crim Con! July
14, 1797.
Soft-ground etching and aquatint with color.
