Nuria Nono
With Vivian Perlis
Los Angeles, California
February 2l, 1977
TABLE OF CONTENTS
Side a pp. 1-23
Introductory discussion of family--childhood years--realization and disappointment over not having spent more time talking with Schoenberg--Schoenberg's enthusiasm for tennis--degree to which Schoenberg changed within new environment; changes he made on his environment--extreme differences between Europe and America--Schoenberg's political philosophies; utter misunderstanding & misinterpretation on the part of historians--Nono's own new awareness of her father's ideas through study of his materials--feelings about Schoenberg's own desire to have his materials catalogued and preserved--poverty and suffering in order to avoid selling father's materials--sense of security instilled by parents--extraordinary caring attitude of Schoenberg--misconceptions about severity of Schoenberg's disposition--anecdote about seventy-fifth birthday--Schoenberg's retirement; feelings about effect this might have had on his health.
Side b pp. 24-45
Schoenberg's paranoia regarding his papers and belongings--loneliness resulting from public's lack of understanding of, or interest in, his music--wealth of materials in Schoenberg collection; goldmine of information--film composers as students--father's illness--memories of listening to radio programs as a family--l974 Vienna exhibit--Schoenberg's status today in Italy, U.S., Germany, France--Style and Idea--importance of European radio stations in creating a demand for contemporary works--influence of Cage--father's funeral--more on film composers--necessity of discovering Schoenberg the man in today's re-evaluation of the composer.
This memoir is the result of a series of tape-recorded interviews conducted for the Oral History Research Office.
By Vivian Perlis
With Nuria Nono
In Los Angeles, California
During January, 1977
This memoir may be read only by serious research scholars accredited for purposes of research by Yale University; and further, this memoir must be read in such place as is made available for purposes of research by Yale University. Permission to quote from or to cite this memoir must be obtained in writing from the Director of the project. No reproduction of the memoir, either in whole or in part, may be made by microphoto, typewriter, photostat, or any other device.
The reader is asked to bear in mind that he is reading a transcript of the spoken rather than the written word.
