Kahalta Dogfish, WA MSS S-2368

Current  /   Past   /  Upcoming 2009 (not yet posted)  

MASTER CLASSES 2008

Beinecke Master Classes are non-credit seminars offered without fee to Yale graduate students. Under the direction of distinguished visiting scholars, these intensice seminars explore research methodologies and skills ultilizing primary materials from the collections of the Beinecke Library. Five full-day sessions are scheduled for each class, from 8:30a.m. to 4:30p.m. The classes will be conducted at the Beinecke Library. Enrollment is limited.

To apply for admission, submit a brief statement to the course coordinator in which you describe your background (including department and year of study) and your interest in the course. Email submissions are welcome. Please be sure to include your telephone number and e-mail address. To be assured a place in the class of your choice, your statement must be received no later than April 30.

Please note that registration for Maija Jansson's master class on British hands will be closing early.  Enrollment for this class is limited to six students.  To be assured of consideration, prospective students are therefore asked to apply no later than Friday, April 18th. 


CURRENT CLASSES




May 5 - 9

Humanistic Script in Italy
Stefano Zamponi

NOTE: The language of instruction for this class is Italian.

This class is devoted to Latin book scripts in Italy from the late fourteenth century to the early sixteenth, with special emphasis on the origin and development of humanistic script. The topics to be discussed include: the handwritings of Petrarch and Boccaccio and the problem of the origin of humanistic script; humanistic scripts in Florence at the beginning of the fifteenth century (Coluccio Salutati, Poggio Bracciolini, Niccolo Niccoli and others); the Venetian form of littera antiqua (Guarino Veronese, Niccolo Borsa and others); Ciriaco d’Ancona; the antiquarian tradition from 1450 onwards (Padua, Verona, Venice: from Mantegna and Biagio Saraceno to Felice Feliciano); the origins of the “cancelleresca italica” and Bartolomeo Sanvito; the models of humanistic script in early Italian writing-books. The codicology of the humanistic manuscript will also be discussed. The course will, additionally, provide an overview of the documentary and book scripts used in Italy in same period (late XIVth- early XVIth century). Students will have first-hand experience of studying Italian manuscripts in the Beinecke Library’s collection and in transcribing Latin and vernacular texts of Italian origin.

Stefano Zamponi, Professor of Latin Palaeography, is Director of the "Dipartimento di Studi sul Medioevo e il Rinascimento," and Director of the School of Doctoral Studies in Philology and Textual Transmission at the University of Florence, and President of the Comité International de Paléographie Latine. His main research areas include scripts and books of the later Middle Ages (XII-XV centuries), books and libraries of the Friars Minor, medieval bookbindings, scientific cataloguing of medieval manuscripts. Since 1992, he has acted as coordinator of the census of the dated manuscripts of Italy, and scientific director of the census of medieval manuscripts programme sponsored by the Regione Toscana in collaboration with Sismel.

Coordinator for this class is Robert Babcock, Curator, Early Books and Manuscripts.
Please write to Robert.Babcock@yale.edu to apply or call 203-432-2968.


Ute woman

May 19-23

Pictures as Primary Sources
Martha Sandweiss

Although historians have long used images as illustrations to support or reiterate arguments developed through the study of more conventional literary sources, this seminar asks how pictures can be used as distinctive primary sources. Using photographs, prints, watercolors and illustrated books from the Western Americana Collection, the class will consider the documentary and ideological content of images through an examination of such issues as patronage, the politics and economics of production and publication, the technological constraints placed on image makers and publishers, the relationship between visual images and literary texts, and viewer response. Particular attention will be paid to representations of Native Americans and to the images produced in conjunction with western exploring expeditions. Participants will pursue brief research assignments in the context of class discussions.

Martha Sandweiss, Professor of American Studies and History, Amherst College, was formerly Curator of Photographs at the Amon Carter Museum in Fort Worth and Director of the Mead Art Museum at Amherst College. She has written extensively on the history of the American West and American photography. Her newest book, "Print The Legend: Photography and the American West" received the Ray Allen Billington Prize from the Organization of American Historians. She has also written "Laura Gilpin: An Enduring Grace," "Carlotta Corpron: Designer with Light," co-authored "Eyewitness to War: Prints and Daguerreotypes of the Mexican War" and was editor and contributor to "Photography in 19th Century America."

Coordinator for this class is George Miles, Curator of Western Americana.
Please write to George.Miles@yale.edu to apply or call 203-432-2958.


English ms

May 19-23

English Paleography and Archival Sources, 16th-18th Century
Maija Jansson

NOTE: To be assured of consideration in this limited-enrollment class, prospective students are asked to apply for this class no later than Friday, April 18th. 

This course will combine a study of 16th-18th century English handwriting (script and numerals) with an introduction to manuscript documents and using archives. Students will learn to recognize and read various hands. They will also learn how to begin archival research, what questions to raise regarding documents, dates, authors, and provenance. Although the class will work only with English language materials, the principles explored in the course can be applied across a broad range of research in the history of early-modern Europe.

Maija Jansson, Director of the Yale Center for Parliamentary History, has edited multi-volume editions of Parlimentary proceedings from the 17th century. A Fellow of the Royal Historical Society, her most recent journal article concerns the impeachment of Inigo Jones. It appeared in Renaissance Studies, December 2003.

Acting coordinator for this class is Diane Ducharme, Archivist.
Please write to Diane.Ducharme@yale.edu to apply or call 203-432-8125.




PAST CLASSES



 

May 2007

Late Bibliographical Description and Scholarly Editing
(G. Thomas Tanselle, former Vice President of the John Simon Guggenheim Memorial Foundation, and Professor of Bibliographic Studies at Columbia University.)

English Paleography and Archival Sources (16th-18th Century)
(Maija Jansson, Director of the Yale Center for Parlimentary History)

The Industrial Book in America, 1830-1914
(Michael Winship, Iris Howard Regents Professor II of English at the University of Texas at Austin)


May 2006

Late Medieval Latin Script
(Albert Derolez, Curator Emeritus of Special Collections in the Universiteitsbibiotheek Gent; Professor Emeritus of Palaeography and Codicology at the Université Libre de Bruxelles)

Shakespeare and the Book
(Peter Stallybrass, Walter H. and Leonore C. Annenberg Professor in the Humanities and Professor of English, University of Pennsylvania)


May 2005

Late Medieval Latin Script
(Albert Derolez, Professor Emeritus of Palaeography and Codicology
at the Université Libre de Bruxelles; President of the Comité
International de Paléographie Latine)

Milton and the Book
(Stephen B. Dobranski, Professor of Renaissance Literature and Textual Studies at the Georgia State University)


May 2004

The Italian Book and Renaissance Drama
(Louise George Clubb, Professor Emerita of Italian Studies and Comparative Literature at the University of California, Berkeley)

Editing Debussy
(Denis Herlin, CNRS in Paris)

Pictures as Primary Sources for American History
(Martha Sandweiss, Amherst College)

Interpretive Acts: Theory and Practice in the Scholarly Editing of Literary Texts
(Michael F. Suarez, S.J., Oxford University & Fordham University)


May 2003

Composing Italian Opera
(Philip Gossett, University of Chicago)

Manuscripts and Meaning: Reading the Primary Sources of Tudor and Stuart England
(David Scott, History of Parliament Trust)

Maps as Historical Tools
(Barbara McCorkle, former curator of the Yale University map collection)

History of the Book
(John Barnard, retired Professor of English Literature at the University of Leeds)


March / May 2002

Reading Prints and Graphic Images, 1740-1840
(Brian E. Maidment, University of Salford)

Pictures as Primary Sources for American History
(Martha Sandweiss, Amherst College)

Bibliographical Description and Scholarly Editing
(G. Thomas Tanselle, Guggenheim Foundation)


March / May 2001

Approaches to Biography
(Hermione Lee, University of Oxford)

The Material Culture of American Photography
(Peter Palmquist, David Plowden, Richard Benson)

Interrogating Manuscript Sources of Tudor and Stuart Britain
(David Scott)


March / May 2000

Introduction to Arabic Manuscripts
(Adam Gacek, McGill University)

Late Medieval Latin Scripts
(Albert Delorez, Université Libre de Bruxelles)

Bibliographical Description and Scholarly Editing
(G. Thomas Tanselle, Guggenheim Foundation)

Scribal Culture: Scribal Treason
(Harold Love, Monash University)

Introduction to Greek Manuscripts
(Mervin Dilts, New York University)

Italian Family Archives: The Spinelli Collection
(Carol Bresnahan Menning, University of Toledo)


May 10-21, 1999

Introduction to Arabic Manuscripts
(Adam Gacek, McGill University)

Bibliographical Description and Scholarly Editing
(G. Thomas Tanselle, Guggenheim Foundation)

Pictures as Primary Sources for American History
(Martha A. Sandweiss, Amherst College)

Late Medieval Latin Scripts
(Albert Delorez, université libre de Bruxelles)


May 1998

Pictures as Primary Sources for American History
(Martha A. Sandweiss, Amherst College)

Introduction to Greek Papyri
(Roger S. Bagnall, Columbia University)


Spring 1997

Coptic Documentary Papyri
(Terry Wilfong, University of Michigan & Sarah Clackson, Cambridge University)


March 1994

Renaissance Italian Documents
(Gino Corti)

 

 


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