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- A. Additions to Collections - 1. Options - a) Interfile - b) Add New Folders - c) Append a Separate Addition - d) Establish Separate Collection of Additions - 2. Recording Acquisitions Data Specific to the Additions - B. Arranging Other Types of Collections - 1. Small Collections - 2. Organizational Records and Archives - 3. Artificial Collections - C. BRBL Administrative Files - 1. BRBL "Archives" - 2. Public Access - 3. Intermingled in Collections - D. Copies - Retention and Description of - 1. Photomechanical Copies of Original Manuscripts - 2. Photocopies of Originals in Other Beinecke Collections - 3. Photocopies of Manuscripts Not Owned by Beinecke - 4. Carbon Copies - 5. Transcripts - E. Correcting Finding Aids - F. Counting Letters and Documents in Files - G. Dating Undated Material - H. Dealer Documentation Retained with Collections - 1. Current Accessions - 2. Materials Acquired Prior to 1963 - 3. Materials Acquired Between 1963 and 1985 - I. Deposits - J. Discarding Material - 1. Printed - 2. Manuscript - 3. Realia - K. Duplicates - L. Enclosures - 1. General Notes - 2. Enclosed Serials - 3. Enclosed Letters - 4. Enclosures with Letters - M. Envelopes - N. Framed Items - 1. General Notes - 2. Storage - O. Linear Footage (Calculating) - P. Maps - - R. Oversize Material - - T. Printed Material - 1. Books - 2. Serials; Historical Pamphlets and Broadsides; and Printed Ephemera - 3. Printed Material in the Yale Collection of Western Americana - 4. Printed Material with Accompanying Loose Material and/or Manuscript Characteristics - a) General Notes - b) Annotated Works - c) Tipped-In Manuscripts - U. Restricted Material - 1. General Notes - 2. Types of Restricted Material - a) Restricted Papers - b) Restricted Fragile - 3. Packaging and Listing Restricted Papers - 4. Packaging and Listing Restricted Fragile - 5. Additional Notes on Privacy Restrictions - 6. Lifting Restrictions in Processed Collections - V. Rolled Storage - W. Stack Storage - X. Three-Dimensional Objects VII.A. ADDITIONS TO COLLECTIONS See also Correcting Finding Aids and . VII.A.1. Options There are several options for processing and cataloging additions to already processed collections. In the case of collections of papers, if the additions are significant, remember to put a note in "Processing Notes" in the front matter; however, do not worry about putting a note if there are only a few folders being added. For artificial collections, a note is not needed in "Processing Notes," since the addition will be explained in the Description of the Collection or in a series title or series note. Single letters or documents and small groups of papers that fit in widely scattered parts of a collection can be interfiled with existing processed material. In many instances it will not be necessary to change existing folder descriptions. With somewhat larger quantities of papers or with new kinds of materials, add and interfile new folders as appropriate, but only if space permits within the existing box arrangement. Use alphabetical qualifiers to interfile folders (e.g., Box 1, folder 12, folder 12a, folder 12b, folder 13). Generate individual folder labels manually. (The label program cannot accommodate a's and b's.) VII.A.1.c)Append a Separate Addition If the quantity of new papers is too great to interfile into the existing arrangement, but can be accommodated at the end of the collection without forcing major stack shifts, append the material as an additional series at the end of the collection and call it "Additions Since 199[X]." Use the series head note to record date of acquisition/addition to the collection. Arrange papers in the "addition" in an order consistent with the arrangement of the rest of the collection. Continue to number the boxes and folders in sequence and update the finding aid to reflect changes in the collection. Make certain to start your "addition" with the highest unused folder number. This will not always be the last folder number in the finding aid, due to the occurrence of irregular numbering sequences. (See the section on oversize material.) VII.A.1.d)Establish Separate Collection of Additions If the volume of new papers is so significant and/or a great deal of time has elapsed since the original collection was processed, treat the new material as a distinct collection and distinguish between the two by appending the word "Additions" to the title of the papers, as in Boswell Collection: Additions. Discuss the relationship between the two collections in the first paragraph of the Description of the Papers in the new register, and make appropriate linking references in the catalog record (MARC field 544). If the Biographical or Historical note for the additions is essentially the same as that found in the earlier register, don't repeat it; make a brief biographical statement and refer users to the fuller essay in the first register. VII.A.2. Recording Acquisitions Data Specific to the Additions In all cases, the supplementary acquisitions information, including provenance of the additions, should be recorded in registers, catalog records, and in exceptional cases on the items. (For further information on the latter, see .) VII.B. ARRANGING OTHER TYPES OF COLLECTIONS VII.B.1. Small Collections (i.e., those that don't require a register) The differences in processing large and small collections are more those of scale than of form or substance. Although this manual focuses on the processing of large archival collections, much of what is outlined here is relevant for basic arrangement and description of collections of all sizes. Small collections (one to three boxes) require much simpler forms of organization than do larger collections and usually do not get a finding aid, as the Orbis catalog record usually is sufficient to provide intellectual and physical access. On occasion, a container list will be included with the collection. In a small (1-2 box) collection of personal papers, place the most substantive material first and arrange the remaining papers behind the main group, by type of material where appropriate, otherwise in a single alphabetical sequence by folder title. If nothing stands out as being of principal importance, the papers usually can be arranged in strict alphabetical order, by type of documentation. Somewhat larger bodies of papers should be arranged in a semblance of "series" order, without the formality normally associated with series. In small collections (2-3 boxes, +/- 1.5 linear ft.), series don't need to begin or end with a box. Restricted Fragile may be housed in a portfolio. (See section on packaging and listing Restricted Fragile in Chapter VII.) For further information on descriptive issues for small collections, consult the Orbis Cataloging Manual: Mixed Materials and Visual Materials Format. For register and automated labeling specifications, consult the Microcomputer Manual for Registers. VII.B.2. Organizational Records and Archives Beinecke Library does not acquire active organizational records, but you should keep in mind the concept of arrangement by administrative function and apply it where appropriate to groups of organizational archives we may acquire. See also the sections on records and archives in Chapter II. VII.B.3. Artificial Collections Artificial collections can be closed or ongoing. For details and descriptive
examples on handling Artificial Collections lists, see
. For information on tracking provenance in artificial collections through
the use of folder labels, see
.
Examples of artificial collections arranged according to these specifications
include:
At present, there is no "Beinecke Library Archive." Beinecke's records
are considered active administrative files and remain in the library.
Documentation about collections acquired prior to Beinecke's founding
(in 1963) can be found in our internal files, and on occasion in the University
Librarian's files, which are in the custody of University Archives, Manuscripts
and Archives, Sterling Library.
Although information in Beinecke administrative files may be made available
to researchers at the discretion of the appropriate curator or the Director,
the files themselves and their contents are not available for public consultation.
In the finding aid (usually the Description of the Papers), if you need
to refer to background information on a collection that is available only
in administrative files (current or archival), refer specifically only
to the files in University Archives. Background information derived from
Beinecke's administrative files should be incorporated directly into the
Description of the Papers without specific reference to the file(s) in
which the information was found. It is assumed that researchers seeking
further background information or clarification of information in the
register will contact the curator directly, or be referred to the curator
by staff. It is then up to the curator or Director to determine what additional
information from the files will be made available to the researcher. (rwf/nlb
7/94)
VII.C.3. Intermingled in Collections
Administrative file material which was or appears to have been pulled
sometime in the past from administrative files and interfiled with the
collection should be removed from the collection and returned to the appropriate
administrative files in Beinecke and/or Sterling. This material would
include original correspondence to Yale administrators, as well as carbons
of correspondence from Yale administrators (i.e., carbons to Yale administrators,
and originals from Yale administrators do belong in the manuscript collection).
If you uncover administrative paperwork intermingled in a collection,
check for duplication in Beinecke's administrative and curatorial files.
If the papers are not duplicates, file them in the appropriate administrative
file. If they are duplicates, discard them (if also present in the curator's
files) or pass them along to the curator.
VII.D. COPIES - RETENTION AND DESCRIPTION
OF
VII.D.1. Photomechanical Copies
of Original Manuscripts
Photomechanical copies are retained or discarded, depending on the particular
circumstances of the collection. If retained, the fact that they are copies,
not originals, is generally noted in folder descriptions in major series
(e.g., correspondence or writings) and in some historical document series.
In addition, they may require special stamping to indicate that they are
"FOR REFERENCE USE ONLY, FOR REPRODUCTION CONTACT THE OWNER OF THE ORIGINAL
DOCUMENT."
Routine photocopies found in the research or subject files of a collection
don't need to be noted specifically.
Never use the date of the original as the date of the copy. If you do
not know the date when the copy was created, use "n.d." If the date of
the original is also known, it should be recorded in the folder description,
immediately before the form designation. See
example in sample finding aid.
In the Writings series, and for printed material, the box and
folder list should contain the information needed to identify various
kinds of copies. Drafts of manuscripts might include one or more of the
following:
A reproduction of an article or short story might be identified in the
following way. See example in sample
finding aid.
VII.D.2. Photocopies of Originals
in Other Beinecke Collections
Prior to the mid-1980s, papers in one collection sometimes were copied
and interfiled into related collections, within and sometimes even across
curatorial units, to facilitate research access to material related by
topic. Also, originals were sometimes removed from one collection and
interfiled into another, and reference photocopies were left behind in
the source collection as "markers." These practices, though no longer
in use, were common in YCAL and the General Collection; it's likely that
instances will be encountered throughout Beinecke's holdings.
Copies of this sort should be weeded, but only after first verifying
that the copies in question are not actually "markers" for originals that
were once part of the collection and removed to another. If that's the
case, the originals should be returned to the collection and a
inserted into the other collection to account for the removal of the items.
VII.D.3. Photocopies of Manuscripts
Not Owned by Beinecke
As a general rule, we do not retain photocopies of original letters or
other documents for which we don't own the original. This tends to be
the case most often with copies of works of known literary figures, for
whom issues of literary rights are an ongoing concern. Older historical
documents, particularly relating to relatively obscure or unknown persons,
frequently are retained, as they generally reflect a collecting interest
(for research or other purposes) of the creator of the collection.
In exceptional cases, we may attempt to verify that the originals from
which the copies were made are still extant, hopefully in another public
repository, before we discard the photocopies. The curators might or might
not request permission to retain the copies; that's up to them.
If we are unable to verify the existence of originals, copies are likely
to be retained "For Reference Use Only." In those cases where literary
rights are a concern, the copies must be stamped:
See the section on stamps in Appendix
A for information about stamping procedures.
Even if copies are discarded, it can be useful to retain information
about these related holdings somewhere in the finding aid (usually the
front matter) or the curatorial files, if the material weeded is deemed
significant and its removal from the collection after perhaps years of
its being there might cause confusion for staff or researchers. In such
cases, make a list of materials removed and their disposition; give a
copy to the curator, and retain a copy in the Processing File.
Always consult with the Manuscript Unit Head or curator before weeding
this type of material. Material weeded should be passed on to the curator
for disposal unless he/she indicates otherwise (i.e., approves disposal
by the Manuscript Unit). If material is to be retained for reference purposes,
though not included in the archive, it is retained in the curatorial files
pertaining to the collection, not in the Manuscript Unit's Processing
File.
Carbons are considered original documents. However, multiple, unannotated
carbons should be weeded; retain only 2-3 copies unless otherwise instructed.
In a Correspondence series box and folder list, it usually is not necessary
to note the presence of specific retained carbons of letters written by
the records creator. If mentioned, note it in generic terms in the Description
of the Papers only if it is not a frequent or fairly common occurrence.
Otherwise, use folder specific notes instead. See
example in sample finding aid.
In the absence of an original source document that can be used for verification,
transcripts should be considered original documents. Transcripts should
be so noted in the box and folder list to avoid confusion about the location
of the original document. Use a phrase like "includes transcripts" in
a folder note, or the term "transcript" in the folder description. See
example in sample finding aid.
If a folder contains an original and a transcript of the original, the
transcript usually is not kept, unless the original is extremely difficult
to read. If you decide that the information on the transcript is worth
retaining, photocopy it onto acid-free paper, and discard the transcript.
Each transcript should be filed after the original it accompanies.
VII.E. CORRECTING FINDING AIDS
When corrections are made to an existing finding aid, the corrections
should be done within the format of that finding aid. That is, do not
change the finding aid to conform to new practice while in the process
of making one small correction (e.g., do not change "See: Oversize" references
to "Stored in: Oversize, box #, folder #"; instead, you should add another
"See: Oversize" reference, if necessary, to be consistent with the existing
format).
VII.F. COUNTING LETTERS AND DOCUMENTS
IN FILES
We do not count the number of letters present in a file, nor do we collate
individual letters or manuscripts except in instances in which it is essential
to establish the correct sequencing of the leaves (e.g., a text in Hebrew
or Cyrillic). Instead, the extent of material is implied by a combination
of features: 1) for correspondence, the minimum number of letters required
for separate list (1 for known names, 3 for others); 2) the number of
folders listed under a given entry; or 3) format of the date in the Date
field (single month and/or day and year vs. a range of years).
VII.G. DATING UNDATED MATERIAL
Supplying dates can be a time-consuming (and risky) endeavor. Do not
spend time trying to date anything for which determining even an approximate
date will require a great deal of background research on your part. Also,
don't spend time trying to date materials that are of little research
significance, or for which the dates are or might be obvious to a better
informed researcher.
Writings can be dated with some precision if the general period and sequence
of writing and publishing of material are known, including periods of
association with others whose annotations may appear on the material being
described. Material that appears to be a contemporary account of a major
world or national event can be dated, at least approximately, by consulting
standard historical and newspaper indices.
A perpetual calendar is useful
if the document at least provides information on days of the week and
months of the year, such as Sunday, May 7, and if you have an approximate
sense of the possible year.
Cancellations on envelopes and dates on stamps can also be helpful in
this regard, but don't rely on them for precise dating. People frequently
post letters a day or more after writing them, or a cover or envelope
may not really match the letter it accompanies. Relying blindly on covers,
therefore, can lead to incorrect dating of the letter. If you do decide
to supply the date from the envelope (because there is good reason to
believe that the letter and envelope belong together), place the date
in brackets, e.g., [1988 May 6].
VII.H. DEALER DOCUMENTATION RETAINED WITH
COLLECTIONS
Originals of dealer and other source documentation generally are not
to be placed in with the collection. The library's copy of record for
this sort of background information is kept in the library's Acknowledgment
File (donor) and Dealer File, and/or in curatorial collection files (and/or
in the case of the General Collection, bibliographic files).
At Beinecke, price notations that appear on documents themselves are
considered part of the history of the document. Do not erase them. If
dealer descriptions or accompanying documentation is to be kept with the
item or collection (because it has useful information not readily put
in a catalog record or finding aid description), price information must
be removed. Photocopy the documentation you wish to retain with the item(s),
mark out prices, and photocopy a clean copy onto acid-free paper, to be
retained in the collection.
VII.H.2. Materials Acquired Prior
to 1963
For these older collections, background information from dealers, donors,
or other sources should be retained in the collection. This background
material should be placed in the back of the folder and enclosed in acid-free
paper.
VII.H.3. Materials Acquired Between
1963 and 1985
In the case of collections acquired after 1963 (but before 1985, the
date when online accession records were first created at Beinecke), this
background material should be pulled out of the collection and filed in
the Acknowledgment File or in the Dealer File.
For information about current deposits, see the section on deposits
in Chapter VIII.
If a collection was formerly on deposit at the Beinecke, mention it in
the front matter. Some examples:
VII.J.1. Printed
VII.J.2. Manuscript
An item deemed to have no artifactual value (as determined by the appropriate
curator), and for which the Director has determined that the library has
no fiduciary responsibility, should be discarded. Such an item may either
be put in the trash, or, if a staff member expresses an interest in retaining
it, he/she may take it home. In the (unlikely) event that the item bears
some kind of Yale or Beinecke ownership marking, this must be removed
before the item is discarded or otherwise removed from the library. Examples
of realia include filing cabinets, picture frames, old suitcases or carrying
cases, and small metal cabinets. (confirmed with curators and director,
3/98)
(See also the section on copies.)
We try to retain no more than 2-3 copies (i.e., original and best copies)
of any item in the collection. When checking multiple copies for (possible)
minor variations proves to be simply too time consuming, retain all copies.
Multiple copies are noted in the folder title, in ( ), after the main
folder description. See example in sample
finding aid.
Weeded copies should be put aside in a box clearly marked as "dups -
xx collection" and retained until the collection is completely processed.
Duplicate material then can be examined by the curator and in most cases
discarded, possibly through referral to a dealer. Some printed monographs
for serials might be transferred to another Yale Library department.
If the curator decides to transfer the material to Technical Services,
complete a
. Complete one flag for each title to be discarded. Material weeded and
to be discarded through a dealer or transferred to another library unit
is passed along to the Technical Services Librarian, who handles disposal
of duplicate material.
Enclosures generally are retained with the item(s) they accompany. (However,
consult the appropriate curator for individual approaches to enclosures.)
Special packaging may be required:
Isolated titles found as enclosures still can be quite bulky. Upon appropriate
consultation with the Manuscript Unit Head and/or the curator, the relevant
article may be clipped and attached to the cover of the publication and
the rest of the publication discarded. Newspapers can be clipped with
curatorial approval.
If the author of an enclosure is not also the author of the cover letter,
and the enclosure is important, describe the enclosure in a note. See
example in sample finding aid.Then make the appropriate cross-reference
under the name of the author of the enclosure. See
example in sample finding aid.
VII.L.4. Enclosures with Letters
When a manuscript or document other than a piece of correspondence is
enclosed with a letter, the letter and enclosure should be filed together
under whichever of the two is the most significant document. For example:
Envelopes are weeded only if the curator makes the decision to discard
them. Otherwise, they are retained with the letters that they accompany.
Since they can easily become separated from accompanying letters, check
them for any information that may help to identify the item (dates, correspondents,
places, etc.) and using a soft pencil, neatly transfer this information
to the upper right-hand corner of the first page of the letter, without
overwriting information of defacing the document.
File an envelope in front of the letter with which it is associated.
This expedites microfilming prep in the event that the collection is later
filmed. (Prior to 1995, an envelope was routinely placed behind the letter
that it accompanied.)
Orphaned envelopes should be placed at the end of the folder or, if they
are numerous, in a separate folder, at the end of the person's correspondence.
(In the latter case, this folder should be labeled "Empty envelopes.")
For information on framed art storage, see the section on storage
and handling in Chapter XI.
For efficient storage, handling, and retrieval, we prefer to remove items
from frames and discard the frames. However, certain limitations apply.
Never unframe pieces that, once out of the frame, will still be too large
for flat storage, or any apparently fragile item, until you are sure appropriate
rehousing and conservation treatment can be provided. Many fragile items
removed from frames will have to be matted and/or encapsulated.
In most cases, material housed in frames that have artifactual value
(i.e., a vintage frame; frames that themselves make up a significant component
of the item's artifactual and research value) should not be unframed.
However, photographs in vintage frames should usually be unframed, and
the frames should be stored separately (consult the appropriate curator
in such a case).
Otherwise, discard frames without artifactual interest, and house their
former contents appropriately.
VII.N.2. Storage of Framed Items
Large items that remain framed are best housed in the Art Storage area.
Smaller items are better suited to boxed storage. Frames to be stored
in boxes should be wrapped in bubble wrap and then foldered to protect
them and adjacent material from abrasion. House them in boxes as nearly
as possible the same size as the frame. Custom-made boxes can be made
for particularly odd-sized frames that do not fit well into our standard
oversize boxes but will fit on the oversize shelves when boxed. Do this
only when the frame is being retained for artifactual reasons. Otherwise,
just use the most appropriate size of standard oversize box available.
VII.O. LINEAR FOOTAGE (CALCULATING)
Use the Linear Footage Calculator to calculate
the linear footage of all boxed material in a collection. When making
the calculation, measure the long side of oversize boxes and add each
box's measurement, ignoring the possibility that the boxes might be shelved
stacked one on top of the other. Do not estimate linear footage for rolls
or broadside folders, unless the collection is primarily composed of such
materials.
As a general rule, Beinecke does not collect single examples of flat,
printed maps, but maps found in archival collections usually are retained.
Rare, printed maps must be stamped with a Beinecke Library ownership
stamp and "source marked" (in pencil). They also may require separate
cataloging. Be sure to mention the presence of maps in the collection
survey so that a determination can be made about whether or not the maps
warrant stamping, source marking, and separate cataloging.
Manuscript maps are handled much as are other manuscripts. Their folder
labeling should include the following data wherever present:
Descriptions for printed maps that are also cataloged separately should
contain the key elements of the bibliographic description (cartographer,
title, date, publisher, place of publication).
Bound, folded maps usually are best housed as issued (i.e., folded and
enclosed in the board covers). Some may benefit from tissue backing to
reinforce fold lines.
Unbound, folded maps may or may not be flattened and stored in oversize
storage (including rolled), depending on condition, expected use, and
artifactual value. Rare unbound maps that warrant ownership stamping and
source marking should never be stored folded.
Sectioned maps mounted on linen usually can be stored folded in folders,
as they were intended to be.
Oversize is treated as a storage location, not as an intellectual
arrangement. Storage locations/types for oversize material include oversize
boxes, oversize portfolios, flat files stored in broadside (aka map) cabinets,
rolls, (framed) art, and objects storage. To ensure efficient and safe
housing of items stored in oversize boxes, the material is foldered and
housed according to size, not in strict series order. This has implications
for how materials are listed in the finding aid (see below.)
Oversize items are fully described in the box and folder list, where they would be located if they were of a regular size. After the full description, which does not include a box or folder number, a cross reference is used to indicate that the item is stored in the Oversize section. See example in sample finding aid. When listing material in the Oversize section, the folder description should serve to identify the item for paging: it does not need to match the folder title word for word. Notes appended to the folder description in the main listing should be omitted in the Oversize listing. The series affiliation of the material, however, should be given, in parantheses, after the folder description. Give the number of boxes and linear footage in a series note. However, because Oversize is not a true series (but serves only as a storage location), a date range should be omitted. See example in sample finding aid. When assigning box numbers to the Oversize section, give a box number to anything that will be stored on the oversize shelves. If an item will be stored in the broadside cabinet, then put Bsd in place of the box number. If an item will be stored as a roll, then put Roll in place of the box number. For oversize portfolios, use Port. For framed art use Art, and for Objects use Obj. When any of these abbreviations is used, the next folder number should also have the box number reiterated in front of it, for the sake of clarity. See example in sample finding aid. If the manuscript collection contains volumes that will be stored on their sides, then generally they should be considered oversize boxes and numbered in the Oversize sequence. If the volumes will be stored upright, then generally they should be numbered in the main sequence of the box and folder list and stored with the regular size items. Each boxed item should receive its own box and folder number. However, there may be cases (of convenience, storage consideration, etc.) in which we will want to store a box on its side in the regular shelving instead of on the oversize shelves. If a group of items described together include one or more items which must be housed separately in Oversize, describe all items in the group in one folder title and make a note: "See also: Oversize ... " In the Oversize section, describe the item or items as part of the larger group. (See sample finding aid.) If you are adding a series (e.g., Series IV) to an existing finding aid, that series will be placed before the existing Oversize section, e.g., Series I. CorrespondenceThis will cause irregular numbering in the finding aid (e.g., the folder numbers will be sequential until Series III, then will jump to Oversize, and then will jump back to Series IV), but this numerical irregularity is preferable to irregularity in the placement of the series. This unusual numbering sequence will most likely occur in artificial collections, but may also be found in collections of papers, especially if a group of material is found after processing has finished. For information about labeling oversize folders and boxes, see the section on affixing labels to folders and boxes in Chapter V. VII.S. Printed material (books, serials, pamphlets, broadsides, printed ephemera, and maps) frequently accompany collections of papers. They may be works authored, edited by, or containing contributions by creators of records, orsimply imprints collected by them. Not infrequently, books the library knows it does not want to retain are separated from the collection on receipt; the Manuscript Unit never sees them. Eventually, loose or tipped-in clippings, manuscripts, and other materials that are to be retained by the library are removed and forwarded to the Manuscript Unit to be added to the corresponding manuscript collection or archive. Whether or not printed material associated with an archive is retained, and how it is handled if retained, depends on a number of factors.
Provenance tracings are made in the 600 field of the book record if a direct provenance link to the manuscript collection is desired. VII.T.2. Serials; Historical Pamphlets and Broadsides; and Printed Ephemera Like books, these can be rare imprints or titles of general research interest held nowhere else at Yale, and therefore merit separate Orbis cataloging.
When listing printed documents in the box and folder list, specify "printed version" when the form is not clearly stated or implied from the description. See example in sample finding aid. VII.T.3. Printed Material in the Yale Collection of Western Americana These are treated somewhat differently because of the interdependence of the SML and Beinecke Library WA holdings.
As a general rule, during the accessioning process for printed material, laid-in manuscripts, clippings, notes, etc., are removed and put aside to be included in the papers component of a collection. A processing slip may be inserted in the volume indicating that a manuscript material formerly in the book has been removed for separate cataloging. In most cases these loose items are then just integrated into the papers without any record made of provenance. Special circumstances may dictate a different form of treatment, perhaps pencilling provenance information onto the verso of the item, adding a provenance note to the finding aid description of the material, or arranging a group of "material removed from" as a distinct series or subseries in the collection. Printed items with manuscript annotations or tipped-in material (i.e., a letter bound in) are handled in one of several ways. If removed from the manuscript collection and cataloged separately, an appropriate 590 note describing the annotations is added to the catalog record. The names of individuals responsible for the annotations, if known, are traced as provenance tracings. 590: : |a With manuscript notes of Eugene O'Neill.If the title remains in the manuscript collection, whether or not it is also cataloged separately, the presence of annotations in the printed work should be noted in the item's description in the finding aid. VII.T.4.c)Tipped-in Manuscripts These may or may not be removed. If retained in the printed item, they should be so noted, as described above, in any corresponding catalog record and at least referenced in the finding aid to the papers. More important manuscripts may require even fuller descriptive treatment in the finding aid, particularly if the printed work is housed separately. In most cases, however, such an important manuscript feature, if tipped in, will have been removed from the printed work it accompanied, or the printed work itself simply integrated into the manuscript collection. For information on Orbis-level cataloging of manuscript material retained in printed works, see the Orbis Cataloging Manual: Mixed Materials Format and Visual Materials Format. In most instances, access restrictions on processed collections at Beinecke are limited to specific items in a collection. Almost never is an entire processed collection restricted. Access restrictions must be stated clearly in finding aids. Access restrictions other than Restricted Fragile are also noted in the corresponding catalog record. (Exceptional cases may be omitted.) Requests for access to, or further information about, restricted holdings are referred to the appropriate curator. Restricted materials are physically isolated and clearly labeled as "restricted" to avoid any unauthorized access. For access restrictions other than Restricted Fragile, containers (or packages within containers) should be sealed. VII.U.2. Types of Restricted Material Access restrictions generally apply to one of two types of materials found in Beinecke manuscript collections. Papers of a personal or sensitive nature may be restricted for a specified time period, usually stipulated by the terms of the gift or purchase agreement. They are designated Restricted Papers in the finding aid and box and folder labeling. Staff must preserve the confidentiality of these documents to which public access is restricted. Students should not be permitted to work with material of this sort. Materials being withheld from routine use because of their fragile physical condition are designated Restricted Fragile. Surrogates (either preservation photocopies on acid-free paper, or black and white or color photographic prints) are filed in the collection in place of the originals. (All objects should be considered Restricted Fragile and should have reference photographs used in their place. See section on Three-Dimensional Objects) The originals are then housed separately, as described in the section on packaging and listing Restricted Fragile. VII.U.3. Packaging and Listing Restricted Papers Restricted Papers are listed after Oversize but before Restricted Fragile. Box and folder numbers continue sequentially, as is the case for the rest of the collection. However, if an addition has been made to a collection, numerical irregularities may occur in the restricted materials sections. (See Oversize Material.) Restricted materials are not considered true series for series numbering purposes in the finding aid. Consult the Microcomputer Manual for Registers and sample register pages for information on how they should be recorded in the table of contents and for formatting headings in the box list. Restricted Papers may not always be fully described in the finding aid; in fact, sometimes they are not identified in any way but just noted as "Restricted." The level of description included in the finding aid should be consistent with the intent of the restriction; some materials are not to be made known in any form, just as Restricted Papers, whereas in other cases the nature of the material may be revealed (e.g., war diaries), but the materials themselves are withheld from use. In some cases, materials are received sealed, and we may not actually know the contents of the package. If, in the course of processing, content information that is not to be made public is revealed to the processing staff, this information must be kept in complete confidence. Lists of restricted materials may be created, but should be "archived" in a secure file until the restriction is lifted. Consult the Manuscript Unit Head regarding arrangements for such lists. NOTE: If the type of material under restriction is specifically identified (correspondence or diaries, for example), then the catalog record also should include a note about the restriction (e.g., 506::Diaries from 1956-1960 are closed until 2010). If the material is not identified in the finding aid, but instead is referred to simply by container (e.g., Box 24 restricted), then no mention of the restricted material will be made in the catalog record. Restricted Fragile for which preservation photocopies or photographic prints have been provided for reference use are not noted in the catalog record.When housing restricted papers, if the material comes already sealed, do not open it. Simply place the sealed package in a folder and label it accordingly with the information you have to work with. Make sure the package has on it the collection call number and the box and folder numbers, and is labeled "Restricted/Closed Until [date]." If the material is not already sealed, wrap it accordingly in acid-free paper or in an acid-free envelope, and securely tape it shut. Write the collection call number, series name, and the box and folder numbers on the outside; label it "Restricted/Closed Until [date]." If there is an accession record, write on the outside of the package "For further information, see accession record, [#]." VII.U.4. Packaging and Listing Restricted Fragile Restricted Fragile is listed after Restricted Papers. Items in Restricted Fragile are fully described at the appropriate point in the main box and folder list. If the material in question is too fragile to handle for in-depth analysis, describe the material as best you can; once conservation treatment has been undertaken, the register description in the main box and folder list can be enhanced. Make sure that each item in Restricted Fragile has a reference surrogate in the main file. This surrogate may either be a preservation photocopy on acid-free paper or a color (or black and white) photographic print. The preservation photocopies are created in-house; the photographic prints must be produced by Yale AV (arranged through Public Services), either at Beinecke or off-site. The following statement should appear on each leaf of a preservation photocopy (preferably at the top): PRESERVATION PHOTOCOPY: ORIGINAL MATERIAL IS RESTRICTED NOTE: This is achieved by photocopying through an overhead transparency on which this standard text has been printed.In the case of photographic prints for reference use, a label (which is provided in the Manuscript Unit) should be placed either on the front of the print (without obscuring the item in the photograph) or on the back, if there is no room on the front. These labels are only to be used with reference prints, not with original prints. Students are not to use these labels, and archivists must not use the labels in the presence of students (we do not want students to associate labels with any sort of photograph). Reference prints do not need to be placed in sleeves. If the item is too fragile to have a reference surrogate created, then place a in the folder in the main file and put the original item into Restricted Fragile. You must also create a record in MSCONSP for this item. Once conservation work is finished, a reference surrogate should be created, and placed in the main file; the "Manuscript Item Withheld" flag must then be removed. Restricted Fragile is generally housed in Hollinger boxes. If there are only one or two folders, the material should be put in a portfolio. Stamp the outside of each box or portfolio with the Restricted Fragile stamp. If the material consists of art or objects, then it should be stored in Art/Object Storage. In this case, either update the appropriate record in artstore.tba, or, if a record does not already exist, fill out an and give it to the Public Services Librarian. If a record exists in artstore.tba for an item that is now being stored with the collection (e.g., an artwork that has been unframed and no longer needs to be stored in Art/Objects Storage), you must still update the record with the appropriate information. When making updates to artstore.tba, put the current call number in the ALTERNOS field (e.g., YCAL MSS 123, box 2, folder 25) and leave the item number (or accession number) in the CALL NO field; delete any references in the following fields: FLOOR, RANGE, SECTION, SHELF, ALTERNOS, so there is no confusion about where the item is stored. If the item is no longer stored as an Art object, put the term “DELETE” in the ALTERNOS field. In the Restricted Fragile list, the folder title contains only the box and folder numbers from which the material came. Each folder in Restricted Fragile receives its own box and folder number. A portfolio would have a folder number, but would be designated "Port" instead of receiving a box number; Restricted Fragile that is housed in ArtStor would have a folder number, but would be designated "Art" instead of receiving a box number. See example in sample finding aid. A collection that had only two folders of Restricted Fragile in a portfolio would be listed in this way. See example in sample finding aid. In the case of both Restricted Papers and Restricted Fragile, the nature and duration of restrictions is given in the Administrative Information section, cited at the end of the Description of the Papers, in addition to whatever notations appear in the box and folder list. The following standardized wordings are used for Restricted Fragile:
Restricted Fragile in Boxes 134-144 may only be consulted with permission of the appropriate curator. Preservation photocopies or photographic prints for reference use have been substituted in the main files. "Box ___, Restricted Fragile, contains fragile originals. The material is arranged in folder order and may only be seen with the permission of the appropriate curator. Preservation photocopies or photographic prints have been substituted in the main files for reference use." NOTE: In the box and folder list, the number of boxes and linear footage are given for Restricted Fragile, but a date span is omitted.VII.U.5. Additional Notes on Privacy Restrictions For a full discussion of this issue, consult Archives and Manuscripts: Law SAA Basic Manual Series, 1985, by Gary M. Peterson and Trudy Huskamp Peterson. Privacy is the right of an individual to be left alone and free from unwarranted publicity. Different kinds of invasions of privacy include intruding on a person's seclusion or private affairs, public disclosure of embarrassing private facts about an individual, and publicity that places a person in a false light in the public eye. You should be particularly alert to the privacy interests of third parties who are living or likely to be living, but who may not be aware that material relating to them (in particular, anything written by them) is now in a public research repository. The curator also might not be aware of the presence of sensitive material, particularly in very large, disorderly collections. The library has a particular responsibility to identify potentially sensitive materials of this type and to take appropriate action. Consult the Manuscript Unit Head and the appropriate curator for guidance if you encounter materials that may require special consideration. The course of action to be taken is decided by the curator, in consultation with other library staff and university administrators, as appropriate. If the library decides to impose an access restriction on this basis, the decision should be fully documented. Copies of pertinent memos, etc., should be filed in our Processing File, in addition to any copies retained by the curator. VII.U.6. Lifting Restrictions in Processed Collections After the curator has reviewed sealed materials and given the go-ahead to open previously restricted files, several "cleanup" tasks must be completed:
Rolled storage is a handy, durable means of handling oversize unbound materials, such as maps, scrolls, rubbings, and architectural drawings. The only restriction is that the materials should not be brittle or likely to become brittle. For larger documents it is recommended that they be rolled around the outside of a rigid acid-free tube for support, then covered on the outside with a tough paper wrapper. Never stuff a document inside a tube for storage, because this may cause the document to become damaged. The paper cover is a dust protector, as well as a means of securing the document to the tube. The steps for rolling documents are as follows:
Each of the curatorial units has its own storage area in the stacks. The reference set of current maps is available in the Manuscript Unit reference area. The following types of stack storage are used:
For further information on classification schemes, see the section on call numbers in Chapter VIII. VII.X. THREE-DIMENSIONAL OBJECTS Objects found in collections may include three-dimensional artworks or items other than art, such as medals, jewelry, buttons, locks of hair, or other personal effects. These items usually have exhibit and illustrative value, but little research value. A collection may be organized to include a series of objects, such as a Memorabilia and Personal Effects series, or individual objects may be listed in other series. Objects are usually considered Restricted Fragile material and housed in a Restricted Fragile series, with a reference photograph of each object provided in the main box and folder sequence. Black and white prints should be used for reference, as color photographs will fade over time. An additional color photograph may also be provided if considered necessary for identification of the item. Each object should be housed in a manner appropriate for its conservation, either in custom-made boxes or unboxed in object bins, with identification tags. Exceptions may be made to housing objects in Restricted Fragile in rare cases where objects themselves constitute the research value of a collection and it is expected that readers will always require access to the original objects.
Comments: Karen Spicher, karen.spicher@yale.edu Copyright 1997. Beinecke Rare Book and Manuscript Library All rights reserved. |