Preferred titles
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Construct the authorized access point representing a part of a musical work by combining (in this order): ° the authorized access point representing the work as a whole (6.28.1.1-6.28.1.8 and 6.28.1.9-6.28.1.11) ° the the preferred title for the part (6.14.2.7) | |
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| that are consecutively numbered | Construct the authorized access point representing a part of a musical work by combining (in this order): ° the authorized access point representing the work as a whole (6.28.1.1-6.28.1.8 and 6.28.1.9-6.28.1.11) ° the the preferred title for the parts (6.14.2.7) |
| that are unnumbered or are non-consecutively numbered parts of a work | Construct authorized access points for each of the parts Alternative: When identifying two or more parts that are unnumbered or non-consecutively numbered, identify the parts collectively. Construct the authorized access point representing the parts by combining (in this order): ° the authorized access point representing the work as a whole (6.28.1.1-6.28.1.8 and 6.28.1.9-6.28.1.11) ° the term Selections following the preferred title for the whole work. LLC-PCC PS: LC practice for Alternative: Add Selections to the authorized access point representing the work as a whole. Best practices for music cataloging, draft: Follow Alternative only if giving separate access points for the individual parts is not feasible. |
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If a part of a musical work is designated by the same general term as other parts and the part is unnumbered: Add to the access point representing the part one or more of the identifying elements covered in the instructions at 6.28.1.9-6.28.1.11 ° Add as many as are necessary to distinguish the part. » If such additions are not appropriate, determine the number of the part in the set and add it | |