Subject cataloging
Instrumental accompaniment
of vocal works | Subject headings for liturgical
works
Works for one voice with or without
accompaniment: Songs |
Accompaniment || Solo
cantatas | Accompaniment
Works for two or more voices, one to a part
with or without accompaniment: Accompaniment
Works for two or more voices, two or more to a
part with or without accompaniment:
Choruses |
Accompaniment ||
Cantatas |
Accompaniment ||
Oratorios |
Accompaniment
Unaccompanied works
Musicals and revues
Arrangements
Qualifying by language of text
| Vocal music is assigned form headings or medium of performance headings just as instrumental music is. | ||
|
Form headings |
Medium of performance headings |
|
| Songs Oratorios Cantatas Masses |
Vocal trios,
Unaccompanied Choruses Vocal duets with harp Sacred vocal ensembles |
|
| Form heading are usually qualified by medium of performance (vocal range or vocal grouping) unless it is implied: | ||
|
Choruses (Mixed voices) Songs (High voice) Masses |
no vocal group is implied; it must be stated no vocal range is implied; it must be stated chorus is implied |
|
| Subject headings for vocal music may also indicate: | ||
|
number of voices: |
Choruses, Secular (Mixed voices, 4 parts) |
|
| type of accompaniment: |
... with piano Unaccompanied |
|
|
secular or sacred use: |
Choruses, Secular Songs [secular is implied] Vocal trios [secular is implied] Secular oratorios |
Choruses, Sacred Sacred songs Sacred vocal trios Oratorios [sacred is implied] |
Medium of performance
headings are not assigned to works that are
[» Note:
It is not LCSH practice to bring out the medium of performance in the majority
of headings assigned to popular music.]
Subject headings for liturgical music are
added when applicable. Most are given in the singular, with no medium of
performance:
Holy-week music.
Magnificat (Music)
Nunc dimittis (Music)
Song of Solomon (Music)
Christmas music.
These headings can also be assigned to instrumental music.
The subject heading "Psalms (Music)" is given in the
plural, with no medium of performance. When appropriate, subdivide the heading
by the specific psalm:
650 0 Psalms (Music)
v 23rd
Psalm
The numbering in subject headings for psalms follows the Authorized version
(e.g., the Hebrew and Protestant Bible) and to the table under BS1450 in
the LC Classification schedule.
Wikipedia gives
a summary:
Hebrew (and Protestant) |
Greek/Latin (Catholic) |
| 18 9-10 11-113 114-115 116 117-146 147 148-150 |
18 9 10112 113 114115 116145 146147 148150 |
| Instrumental accompaniment of vocal works | |
| A single instrument is named following the word "with": | _________________________ with accordion
_________________________ with violoncello |
| The name of two of the same keyboard instrument follows the word "with" and is qualified with "(2)": | _________________________ with
pianos (2)
_________________________ with harpsichords (2) |
| Use "keyboard instrument
ensemble" when there are two different keyboard
instruments: Note: previous practice was to name each, in alphabetical order: _________________________ with organ and piano |
_________________________ with keyboard instrument ensemble |
| When there are » two or more of the same non-keyboard instrument OR » two or more non-keyboard instruments from the same instrumental family use the instrumental family name followed by "ensemble": |
_________________________ with string
ensemble This would include string quartets, quintets, etc. _________________________ with woodwind ensemble This would include woodwind quartets, quintets, etc. |
| When there are two or more instruments from different instrumental families (one to a part), use "instrumental ensemble": | _________________________ with instrumental ensemble |
| When there are two or more instruments from different instrumental families (two or more to a part), use the name of the ensemble: | _________________________ with orchestra
_________________________ with band |
| When there are two or more of the same solo instruments (one to a part), use the name of that instrument followed by "ensemble": | _________________________ with violoncello ensemble |
| The heading "Songs" implies secular; for sacred works use "Sacred songs". Note that "Sacred songs" is not in inverted order | Songs
Sacred songs |
| The range of the solo
voice, when known, is indicated as high, medium, or low. Even if the specific voice type is known, it is not designated in a subject heading, unlike in a uniform title, in which either specific voice type or vocal range may be indicated. |
Songs (High voice)
Sacred songs (Low voice) |
| Variations (Voice ...) | |
| Unaccompanied songs are qualified as such: | Songs (Medium voice), Unaccompanied |
| Accompaniment is indicated by the phrase "with ." | |
| Accompaniment of one instrument: | Songs (High voice) with piano
Sacred songs (Low voice) with violoncello |
| Accompaniment of one to two keyboard instruments: | Songs (High voice) with pianos (2)
Sacred songs (Medium voice) with organs (2) |
| Accompaniment of one
keyboard instrument and one non-keyboard instrument
OR two or more non-keyboard instruments is indicated as "instrumental ensemble" |
Songs (High voice) with instrumental
ensemble Variations (Voice with instrumental ensemble) Songs (High voice) with Songs (High voice) with |
| The heading "Solo
cantatas" implies neither secular nor sacred. Both must be indicated, and the headings are in inverted form. |
Solo cantatas, Secular
Solo cantatas, Sacred |
| The range of the solo
voice, when known, is indicated as high, medium, or low. Even if the specific voice type is known, it is not designated in a subject heading. |
Solo cantatas, Secular (High voice)
Solo cantatas, Sacred (Low voice) |
| Accompaniment for solo cantatas is not indicated in the subject heading. | |
| These are some of the form headings for works for two or more solo voices: | |
| The heading "Part
songs" implies secular. For sacred works use "Part songs, Sacred". Note that it is in inverted order |
Part songs
Part songs, Sacred |
| For secular Part songs
all in one language, qualify the heading by that language.
Latin is implied in the heading "Part songs, Sacred" For sacred Part songs in other languages are assigned 2 headings: |
Part songs, English
Part songs, Sacred not: Part songs, Sacred, Latin Part songs, Sacred Part songs, English |
| These headings may also be used
for works for choral ensemble (two or more voices, two or more to a part). Accompaniment is not indicated in subject headings for Part songs or any of the specific types of Part songs. |
|
| Secular:
Sacred: |
Polyphonic chansons
Motets Anthems |
| Canons, fugues, etc. (Vocal quartet) | |
| The headings "Vocal duets," "Vocal trios," "Vocal quartets," etc. are used for groups of two to nine solo voices. For ten or more solo voices, use "Vocal ensembles." Neither the vocal range nor voice type is designated. These headings imply secular works. For sacred works, use "Sacred vocal duets," "Sacred vocal trios," "Sacred vocal quartets," etc., and "Sacred vocal ensembles" | |
| Secular: Sacred: |
Vocal duets Vocal quintets Vocal ensembles Sacred vocal duets Sacred vocal quintets Sacred vocal ensembles |
| Unaccompanied works are qualified as such: | Vocal duets, Unaccompanied Sacred vocal quintets, Unaccompanied Sacred vocal ensembles, Unaccompanied |
| Accompaniment is indicated by the phrase "with ." | |
| Accompaniment of one instrument: | Vocal sextets with piano
Sacred vocal quartets with harp Vocal ensembles with guitar |
| Accompaniment of one to two keyboard instruments: | Sacred vocal trios with pianos (2)
Vocal quartets with harpsichords (2) |
| Accompaniment of one
keyboard instrument and one non-keyboard instrument
OR two or more non-keyboard instruments is indicated as "instrumental ensemble" |
Vocal trios with instrumental
ensemble Vocal trios with |
| The heading "Choruses" implies neither secular nor sacred and is used without designation of secular or sacred for collections of both secular and sacred works. | |
| For individual works or collections that are either secular or sacred, the term "secular" or "sacred" is added to the heading, in inverted form. | |
| Collections for more than one
voice grouping which do not all have the same accompaniment: Do not add: voice grouping number of voices accompaniment |
Choruses, Secular Choruses, Sacred |
| Single works and collections for
one voice grouping: Add: voice grouping mixed voices, women's voices, men's voices, children's voices, equal voices, unison [not unison voices] number of voices may be added. |
Choruses, Secular (Mixed voices) Choruses, Secular (Equal voices) Choruses, Sacred (Children's voices) |
| Number of voices is indicated
only when these conditions apply: a. 8 parts or fewer AND b. accompaniment of either one instrument (i.e., piano, violoncello, harp, etc.) two of the same keyboard instrument continuo OR c. unaccompanied |
Choruses, Secular (Women's voices,
4 parts) with piano Choruses, Sacred (Men's voices, 4 parts) with pianos (2) Choruses, Secular (Children's voices, 3 parts), Unaccompanied. |
| Unaccompanied choruses are qualified as such: | Choruses, Secular (Mixed voices, 4 parts),
Unaccompanied Choruses, Sacred (Men's voices), Unaccompanied |
| Accompaniment is indicated by the phrase "with ." | Choruses, Sacred (Women's voices) with
piano Choruses with organ Choruses, Secular (Mixed voices, 4 parts) with violoncello |
| Accompaniment of one or two of the same keyboard instrument: | Choruses, Sacred (Men's voices, 5 parts) with pianos (2)) |
| Accompaniment of two different keyboard instruments (indicated as "keyboard instrument ensemble"): | Choruses, Sacred (Men's voices) with keyboard instrument ensemble |
| Accompaniment of one
keyboard instrument and one non-keyboard instrument
OR two or more non-keyboard instruments is indicated as "instrumental ensemble" |
Choruses, Secular (Mixed voices)
with instrumental ensemble Choruses, Sacred (Children's voices) with instrumental ensemble |
| The heading "Cantatas" implies neither secular nor sacred and is used without designation of secular or sacred for collections of both secular and sacred works. | |
| For individual works or collections that are either secular or sacred, the term "secular" or "sacred" is added to the heading, in inverted form. | |
| Collections
for mixed voices or for more than one voice
grouping and Single works for mixed voices |
Cantatas, Secular
Cantatas, Sacred |
| Single works and
collections for one voice grouping other than mixed voices
Add: voice grouping (other than "mixed voices") women's voices, men's voices, children's voices, equal voices, unison [not unison voices] |
Cantatas, Secular (Women's voices)
Cantatas, Sacred (Unison) |
| Type of accompaniment or lack of accompaniment is not designated in subject headings for cantatas. | |
| The heading "Oratorios" implies
a sacred text. The heading is used without the designation "sacred." For oratorios with secular texts, use "Secular oratorios." Unlike the subject headings for choruses and cantatas, the heading is in direct order (not "Oratorios, Secular) |
|
| Vocal grouping (mixed voices, women's voices, etc.) is not indicated in subject headings for oratorios. | |
| Type of accompaniment or lack of accompaniment is not designated in subject headings for oratorios. | |
| Works with accompaniment reduced
for a keyboard instrument include the
subject
subdivision "Vocal scores with ..." |
Oratorios
Secular oratorios |
| Works in a specific form are assigned with the medium of performance "Chorus" added. | Canons, fugues, etc. (Chorus ...) Waltzes (Chorus ...) Polkas (Chorus ...) |
| Unaccompanied works are not indicated
as such: Accompaniment is indicated by the phrase "with ." |
Canons, fugues, etc. (Chorus) Rondos (Chorus) Waltzes (Chorus) Polkas (Chorus with orchestra) Waltzes (Chorus with piano) Waltzes (Chorus with piano, 4 hands) |
equal voices: voices of the same type when employed in a polyphonic work, e.g., all sopranos or all tenors; sometimes also merely all male or all female (New Harvard Dictionary of Music)
The qualifier "unaccompanied" is used with vocal music subject headings except for with these forms: cantatas, musicals, operas, oratorios or with subject headings in which lack of accompaniment is already implied (e.g., Canons, fugues, etc. (Voices (3))
Musical: a theatrical production consisting
of musical numbers (songs, ensembles, and dances)
integrated into a dramatic framework
Revue: a theatrical production featuring a series of songs, dances,
and other entertainments
without any unifying
dramatic element
The qualifier "Arranged" is not used with vocal
music subject headings.
The subject heading is assigned for the medium into which the work has been
arranged.
| A work originally for high voice and harp, arranged for voice and piano: | |
| Correct: | Songs (High voice) with piano |
| Incorrect: | Songs (High voice) with piano, Arranged. |
|
A work originally for chorus and orchestra; arranged for chorus and organ |
|
| Correct: | Choruses, Sacred (Mixed voices) with orchestra
|
| Incorrect: | Choruses, Sacred (Mixed voices) with organ, Arranged. |
|
However, LC is using "Arranged" in the subject heading "Oratorios": |
|
| An oratorio with accompaniment originally for piano or organ, arranged for orchestra | |
| Oratorios, Arranged. | |
Source: LC Subject Cataloging Manual H
1916.3
Vocal works are qualified by the language of the text when they are:
Vocal works are not qualified by the language of the text when they: