FIRST FLOOR PLAN [p. 60]
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61
Throughout the planning of the library,
the use of materials
was carefully studied with a view to avoiding monotony.
The low buildings and the entrance on High Street
are of the same stone as the Memorial Quadrangle with a
variation in the method of cutting and setting the blocks. On
the Wall and York Street fronts a different stone trim was
introduced to add interest to the texture of the walls.
In general, the ornamentation of the building
symbolizes
the history of libraries and books. The history of Yale
College is engraved on the stones of Harkness, but in the
words of Mr. Rogers: "A library has a broader field. As a
general scheme the Main or Entrance Hall will contain in
its decoration the history of the Yale Library, but the decoration
in other places will symbolize the history and universality
of the libraries of the world."
As the visitor passes through the portal of
the great
Entrance Hall, the main delivery desk confronts him at the
far end. The architecture of the room leaves no doubt as to
the memorial purpose of the building. Constructed in the
form of a great nave with vaulted aisles and clerestoried
lighting, it avoids too churchlike a character through the
introduction of leaded glass in which colour is largely
supplanted by intricate patterning in leadwork. A painted wood
ceiling of rather simple design helps to preserve a secular
character.
In its ornament the Entrance Hall relates
entirely to
Yale. The panels over the pier arches record significant
events in the development of the library, while the windows,
which are very fine, represent contemporary events in the
history of the college. The twelve stone corbels supporting
the ceiling beams bear emblems representing such distinguished
benefactors of the early days as Abraham Pierson,
James Pierpont, Elihu Yale, and Benjamin Franklin. On
the eleven bosses which decorate the great arch before the
crossing are carved scenes from the manuscript Speculum
presented by Governor Yale in 1715. The field bosses of the
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