Digital Production and Integration Program (DPIP)                                                CHARGE

Production Services Working Group

 

Members:

 

Jen Weintraub, Chair

Art Belanger (Medical)

Christina Corrigan (VRC)

Brian Kupiec (Beinecke Digital Studio)

Amy Limpitlaw (Divinity)

Derek Merleaux (MSSA)

Youn Noh (Metadata)

George Ouellette (ILTS)

David Walls (Preservation)

Representative from Public Services / ELI (to be invited)

 

Duration:  January 15, 2007 – September 30, 2007.

 

Time Commitment:  5% - 10% varying from week to week and according to availability (mostly on the low side).

 

Definition:

 

Problem: Independent digital production facilities with minimal interaction and infrequent opportunities for sharing of resources.

 

Goals:

·        A federation of production capabilities consisting of partnerships and referrals, resulting in improved service to customers, increased efficiency, higher quality, and lower costs.

·        An understanding of what criteria we would use to judge vendors and which vendors we might use for what kind of digitization.  Collection of documents that may help us in this process in the future, including model RFPs, contracts, budgets, checklists, etc.

·        An understanding of the digitization needs of the library and what kind of equipment and space we might foresee needing in the future.

·        Development of guidelines for content quality, metadata requirements, and minimum standards for digital surrogates, in consultation with other appropriate groups..

·        Development of sophisticated Quality Assurance techniques.

·        Shared development of production tools.

·        Cost models for in-house versus outsourced production.

 

Charge:

 

The DPIP Production Services Working Group will accomplish the following tasks:

 

Identify possibilities for collaboration, productivity gains, and cost savings among the several production facilities/units (see section 4 of DPIP report pp. 24-26).

 

Identify opportunities for coordination of digital production services in the library and the university including arts images, audio, video, and reformatting for access and preservation:

Sharing of facilities / expertise

Joint projects

Avoiding duplication of effort

Cost savings

Outsourcing

Equipment purchases

Software implementation

Workflow tracking

Metadata capture

Maintenance agreements, etc.

 

Describe how DPIP’s proposed virtual organization can work best in this area and what benefits it would have.  Plan for the continuation of the loose federation: how should it be managed in the future?

 

Determine capabilities, equipment available, conditions of use, and volume of use for each facility.

            Guidelines for using equipment

                        Beinecke

                        DCF

                        Maps

                        ILL, etc.

            Guidelines for using services

                        Preservation

                        MSSA

                        Media Services

                        RIS, etc.

 

Identify preferred vendors for outsourcing and names of contact people.

 

Document scanning standards and guidelines, including metadata practices.

 

Coordinate quality assurance (QA) procedures and develop expertise.

            Survey existing capabilities

            Develop mechanisms for sharing workload

            Acquire equipment and software needed to accomplish QA

            Provide documentation

                        Best practices

NARA Image Quality Assessment Ratings?

                        Beinecke color profiles?

            Develop tutorials in how to perform QA and a list of people who can provide assistance

 

Collect and post sample RFPs and budgets.

 

Yale University Library

January 11, 2007